found. august, 2009.

Once upon a time, during a windy Melbourne afternoon, a man and a woman arranged to meet in a bar. The bar was indecisive, a Libra perhaps – it was partly underground, half-buried within a monstrous gothic building in the middle of the grey city. The windows were on eye-level with the sidewalk; the view a flurry of woolen ankles and leather shoes.

‘I don’t want to talk about it,’ said she. She had black hair and red lips, and eyes that looked weary as though they’d been forced shut for days. ‘But we must,’ said the man, who looked nervous in his seat and his suit. There was a plate of broken-up bread in between them and two glasses of red wine, like a modern day Last Supper for two. It was a late Friday afternoon, and the bar was taking deep breaths in the silence, readying itself for the swarm of after-hours mess.

The man and the woman were afraid of what lay beyond the murder of their so-called love affair. She had just found out that he had slept with an 18-year old brunette bartender on the night of their one-year anniversary. He was interstate for work, and he was saturated with apologies for being away for the occasion. ‘You know I’d rather be there celebrating with you,’ he said on the phone when he called to say Happy Anniversary. ‘I’d give my right toe to be there. I’m just about to head out and have a quiet meal with a mate. I’m so sorry my darling.’ His voice so lovely and warm. ‘I’ll call you tomorrow. I’ll make it up to you when I get back, I promise.’

The girl with the black hair picked him up at the airport the following evening, a little pouty but excited. He arrived like the Sultan of Brunei, tanned and smiling and sparkly-eyed, bearing gifts of jewels, dresses and books she knew she’d never read. She accepted them freely as they were offerings of apology and she thought it rude to reject gifts of any shape or form, especially if they were justified. She did not know then how far this silent apology went.

In fact, there were too many gifts, also too many answers to questions that were hasty and flippant. Too many muffled phone calls and hidden text messages. And an abundance of affection, more so than ever before. She had watched enough movies to see the signs of betrayal and guilt. She was, after all, an imposter-writer and writers are trained to sniff other people’s unwashed lives; study what makes people do what they do. Writers, she thought, embellish all that with poetry, obsess over acts of grief and punishment, how people succumb to temptation, and how they arrive at their decisions.

She was known to be devotedly stubborn, and it was this fanatical perseverance that saved her during that week. She was determined to ignore the heavy feeling in the pit of her stomach, so determined that she booked dinner at a very expensive, very new restaurant she’d been dying to go to – a belated anniversary dinner – and even bought herself a lovely red dress and killer heels to match. She drank too much champagne and it was a lovely, blur of an evening. They toasted and toasted ‘for many more to come.’

The girl with the red lips had asked him that very morning, snakelike and blatant – is there something you should be telling me? It sounded somewhat like a scolding, she could almost see herself standing over him with her hands on her waist, one eyebrow raised, reprimanding his petulance. And it was the realisation that she was right that winded her, and for once she had nothing to say.

His barely audible recounting of events hardly made its way into her ear. It hung in the abyss of phone lines and electricity, like the white dots you see when you close your eyes. She sat cross-legged on her bed, in her empty apartment overlooking the very building they were in now. She sat there in silence, cradling the phone in one hand, her weary, angry heart in the other.

Now here they were, sharing a meal half-underground, attempting to band-aid the damage with red wine. The sound of the thread snapping, the thread that connected them, was ringing loud in her ear. The only thing clear that wintery afternoon was the murkiness of what they would do after. ‘I can’t even look at you right now’, she hissed. ‘You can get it all out of your system if you like, if that would make you feel like a better person.’ The man loosened his tie and emptied his glass in two gulps.

Like everything to do with affairs that end badly within that stretch of time before you find true love, there is a staining that must occur in the human heart. She knew the lesson that had to be learnt, and knew that every woman has to sort through the shit to get to the prize. Which is why she admits the best writing she’d ever done were out of anger, and why she calls Wuthering Heights ‘a romance novel’. And why she studies with piercing concentration the face creams her mother had told her to buy, in the privacy of her immaculately clean bathroom. Lord knows she may have a good decade of shit-sorting ahead of her until she finally gets to The One. We can also go as far as to say, the girl almost feels a tingly sort of pleasure from the drama that begins and ends with heartache. It makes her feel alive, like when you’re laughing so hard your stomach hurts and you’re fighting for breath.

She looked up from the plate of bread and sad-looking dips and out the window, feeling the cold beginning of an ending in the air. The dirty teeth and stained lips after red wine. The punishment for not being beautiful enough. The jumping into the wrong relationships to avoid being alone. This is an inevitable thing, and for her, it began early. ‘No, dear, its just because you fall in love with all the wrong men’, her mother once said, waving her right hand in front of her face, bursting the lazy trail of smoke from the cigarette in her mouth. ‘You follow your heart too much, and not your pretty head.’ And yet the punishment was for something far more obscure than a simple failure to be more beautiful. And the punishment laid the groundwork for what she wanted and what she didn’t ever want, out of men, about herself, out of love. It was a lose and wobbly see-saw of losing and learning.

The girl had the sudden urge to climb up on top of the couch and reach out the window. She wanted to grab an ankle or two, drag the person attached to them through the hole on the wall, and make them sit in this dungeon of a bar bruised and bewildered. She’d pin their arms down, force their jaw towards this man’s face, telling them – look! Look at this creature trying to break my heart.

The man lifted an arm to wave the waiter over for another drink, and she snapped out of it and stood up. She noticed then how his arms were too tight for his suit jacket, how his hair was thinning from the crown. He was staring up at her expectedly, a little surprised and a little scared it seemed, like a puppy left out in the rain. This made her feel sorry for him. He was waiting for a drilling of some sort, a spray of female emotions: public tears, long, loud, painful breaths. She was sure her silence confused him, and it was delicious and annoying at the same time.

She put on her coat and walked away, up the cold flight of stairs and out into the bustling street full of people breaking free from office buildings. She walked past the window of the bar and realised that if they were in a movie, he’d be watching her walk away, in slow motion perhaps, she looking wonderful from behind with the wind through her hair.

Instead, he had looked up and out the window. He watched the flurry of feet, left to right, right to left, trying to get from one place to another.

He had no idea what shoes she was wearing.

begin this way.

you sit there in a disheveled room,
in your home that was once the core of the sun.
there is a draught seeping in through the windows,
and you are chilled to the bone from failure.

fragments of your life is floating in your eyes
the yellow wall is blending into the white sheets
into the wooden side-tables into you
so you stop and chew everything into bite-sized pieces.

you begin this way, then:
this is your hand,
this is the silver ring your mother gave you in Sydney when you were 16,
and you’ve worn it everyday since.

this is a red painting
you bought on a drunken whim with your best friend
at an art fair from an artist who was flirting with the both of you.

this is your mouth, this is an O
or a moon, whichever you like.
this is the precipice of your next life.
this is the look of uncertainty.

outside the window
is grey concrete. before that, it was a wooden fence
that was low enough to let summer in.
and beyond that the trees and then the world,
which is round and once had rules and plans and structure
and you get to Point B from Point A
using colours you’re familiar with.

this is the world, which is fuller
and more difficult to decipher than I have said.

you are right to smudge it that way
with the red and then
the orange: the world burns. is vibrant,
is alive, is dying at the same time.

you learn the words End, and Hope,
and Heartache and Fear.
you roll each of them around on your tongue and
gag and spit and swallow.

once you have learned these words
you will learn that there are more
words than you can actually re-learn.

the word Hand floats above your hand
like a small cloud over a lake.
the phrase You and I
does a somersault in your mouth

it begins, and it has infinitely many ends.
you and i are ending but separately we are also beginning
and your heartache and my heartache i can now see
like my hand pressed hard against your heart

we look at each other in silence
like two friends who went through war, and
after all the tears there is a tiny upturn of the mouth
because we know we will survive.

this is the world,
which is round and has more colors
than we can see.

this is your hand
a warm stone
i hold between two words.

the feels.

just stop for a second.
stand there, and breathe in all the things
that make you feel in this life.

a good, thunderous laugh
a hidden, suffocating cry
or when both are fused together and your heart is in your mouth
and your mouth is in your heart.

choosing that one human being
to be your person, or standing very still
while someone revolves around the makeup of you.

the relief that washes over you,
or exhaled through your pores, after letting go
of something or someone or some older version of yourself.

tuck these close into the deep corners of your pockets,
the crevices of your spine, the folds behind your knees,
so that you may always stand tall in the belief

that no matter how you wake up tomorrow,
or that noone would ever know –
some sort of magic is a-flicker and breathing

in what’s here, and in what’s now
and in what’s deep inside of you.

a letter written on the back of an uber at 5 am

i am surprised to see
that the city is still going on.
now i am soaring through the streets
as though someone has hit MUTE
and i realise with outstanding clarity
that for the last few months
i’ve been trying to rip my hand
from your hand, the rollercoaster has gone round and round
and i am starting to realise i’ve outstayed my welcome.

yet i have made it this far
as i said i would
and i am on a back of a silent Honda
holding my wallet, my cigarettes
and my house keys
at 5 o’clock on a sunday morning
in october of 2016.

although everything has happened,
nothing has happened.
i am frightened that perhaps my sea is very old.
the sea is the face of you and i,
and i am starting to see that it is without miracles
or rage or unusual hope,
grown rough and tired
with incurable age.

look at us try. i look outside the window
at the half-light of Melbourne,
my hands that hang by my knees
my stomach filled with Manhattans
a lifeboat that wears
its dirty canvas coat;
the faded sign that sits on its shelf

Oh, alright, i say,
i’ll save myself? is that what you mean?

i go you go, my dear.

when two people make a vow to each other,
on wet grass and on soft hay and with rain that form round beads
on our hair and the shoulders of suit jackets and on the tips of our noses –
that is important, my dear.

when your tears mix with the rain on your eyelashes
and your hair starts sticking out of your head, and your toes curl into themselves
that is incredibly important, you see?
because you will never see again the way she looked at him whilst she said important words
and the way he squeezed her hand real tight,
and we all disappeared, like a needle to balloon –
blop! pop! pop!
and it was just him and it was just her,
on that beautiful, drizzling hill.

when someone asks how you are, and deep within your belly
you hear a little sigh stir deep in the wool-blanket of happiness,
allow yourself to lean in and feel honesty gurgle in your throat.
if your friend is good, and if she is wise,
she’ll see the small bubbles of truth float out of your mouth
and bounce softly across the ceiling, twinkling against the fairy-lights.
she will look up, and squint, and read them all,
and she will nod, and understand.

its ok to fall for things, you see.
inanimate objects set them up, love sets them up,
too much punch sets them up.
its ok to run around in the rain with someone you’ve just met,
do headstands, absolutely no questions have coffee right here, right at this very minute.
be angry when you’re hungry, sigh loudly inappropriately,
feel a heavy peace during loss.
sing, i say,
and dance, for goodness sake,
like absolutely everyone you know is watching.

week ten.

at least you and i
had a lovely walk along the beach.

you felt how hot the sand was underneath my city toes
you smelt how different the air was in that part of the world
and you saw how much people wanted you.

you little bean,
our strange fruit and vegetable seedling
how you fought with what you were given
(or did you fight at all?)

i died seven times in those two days.
all the people trying to see how you were –
through my veins, through my skin, through my legs, through maths, through computers,
through a make-shift floorlamp that wouldn’t bend the way he wanted it to.

and when you left, there was a sudden emptiness
like popping a balloon – so present and whole,
then pain, then numbness, then air.

my mother’s words whispered fiercely in my ear
as she clutched my head against her womb.

there were no instructions for after.
at the start there were trees.
folders upon folders of paperwork, and books, and letters, and forms.
your last chapter was printed on a double sided A4 page
and silent messages that said ‘it happens to everyone’.

you, the never acquired
the never developed, the never photographed.
the silent grief because noone wants a public one.

so quietly i bury your shoes in the dark of my closet
i bury your socks in the mess of the spare room
i give you flowers when i clutch my heart
so it doesn’t leak out from my mouth from dying

an eight time, a ninth time, a tenth.
i only give ten to the world.
i only gave ten to the world.

when we’re alone, i give you everything.


the moment when, after many years
of hard work and many tubs of expensive face cream,
you stand in the centre of your room,
apartment, house, island, country,
knowing at last how you got there,
and exclaim, It’s OK now. I’m OK.

its at the same moment when all unwritten letters
thunder down from the sky above you,
the unsung birthday songs play in loop,
the bike you’ve never ridden, the boys who were never warned.
the air moves back from you like a wave,
bits of him on the shore like bones and shells.

no, they whisper. almost, but not quite.
every year an extra candle is lit
and there you are proclaiming confidence.
you made a joke last night, and your husband laughed,
open-mouthed and loose,
and you saw the wrinkling in the corners of his quiet, brown eyes.

and in a flash, you wonder what your father’s face looks like now
tobacco-brown skin and old, and you realise
you may never actually be OK. at least,
when you remember.

but for now, you’re doing your best.


i am tired of being a woman.
Tired of my mouth and my temperamental breasts
tired of ovaries with expiration dates
tired of all the shoes and all the expensive lotions.

tired of having to prove that you are, truly, one
tired of the proving, and approving, and improving.
tired of ageing and having to do it all with grace.
the battle to be stronger, smarter, more polished version.

(but, wait – be careful:
not too strong for that’s too manly
not too polished you’d break like glass.
not too smart, because – just quietly –
noone likes a woman with too much ambition).

there are men who sit at my table,
circled around a bowl i offer up.
when i speak its like driving on ice,
determined, unfaltering, with care and nervous precision.

at nights I feast on tiger balm and eye-drops
basking in the romantic glow of my screen.
your pay cheque clears, its double than mine,
and you laugh, your mouth full, while dining with your children.

I am tired of my lips, and hair and my thighs
tired of questions why I am still empty
tired of too much emotion, or showing not enough
I am tired, and i am tired

of being a woman.

9, maybe 10.

the doorbell’s ringing. Valentino and Rudolf start yapping like maniacs, shrill and murderous by the door.  my eyes fling wide open, blinking as fast as my heart and I have no idea why. i’m 9, maybe 10. and its so early in the morning, its still dark.

there’s a sudden stillness in the air, a sticky silence and it drapes itself on top of my head, on my body, on the shadows in the room like a wet woolen blanket. this must be that calm people talk about, the moment before a storm.

mum slides my bedroom door open. a sliver of yellow light slashes my wall then disappears as she slides the door shut. she tells me to get out of bed. i feel clothes gently thrown at me from the closet, the soft thud of my Barbie backpack, jumper, my shoes. I hear voices outside my door, the words abrupt and solemn. the dogs are hurriedly shut up in the kitchen, ‘shush’ hisses my step-father. shush.  

‘Can she bring her Gameboy?’ mum asks the dark, her voice flat near my ear. ‘Yes ma’am’ the door replies. ‘but we’ll need to take it away when we get there.’ my mother opens the curtains wide, and I see the white moon-halo of her head against the window. she takes a deep breath,’get dressed Paulina,’ and leaves.

i get up from bed and through the crack of the door, there’s a woman and a man. and my step-dad – bleary eyed and edgy. she’s in a drab grey suit, tight pony tail, pulled back so fierce her face seems stretched. he’s in a uniform of some sort, dark blue jumper, tough leather shoes, kind eyes. he nods when i walk out of my room, and everybody turns.

suddenly i’m the child, i’m the smallest person here. i am in the middle of something, or the start, and i dont know which exactly. everyone’s a stranger – and i panic, mum – where is she? I see her coming out of the bathroom, carrying an overnight bag in one hand and her cheeks are damp. i want to tell her she’s forgotten to wipe her face properly. no lipstick, she holds out her hand to me. i think – something’s very wrong. she’s leaving the house with no lipstick on.

there’s a white van with bars on the windows. we get into the back, sit on benches that face each other. my mother’s rosary beads are swinging between her knees and mine. mum is gripping onto the beads so tight the tips of her fingers are white. ‘play with your gameboy, paulina’ she whispers. ‘dont look outside’. i need to pee, i say to her in my head. i squeeze my legs, and play tetris.

when we stop, we go into an office with metal doors and white, fluorescent lights which make me feel ill. the lady takes me into the bathroom – all metal sinks, white linoleum floors, the smell of disinfectant fresh and arid. she leads me into a cubicle and nods at it, closes the door behind me. i can see her feet behind the door, the boxy leather shoes, and i shut my eyes because it won’t come. i think of mum waiting outside on her own – she might leave without me – and i go in a hurry.

in another room, there’s a white backdrop and a camera on a tripod directly in front of it. i get told to stand on the black X on the floor, and look at the camera. front, turn to your right, turn to your left. mum barks my name when i start to smile. mum has her turn, but she wont look up. i look at her and realise, she’s so small, my mama. im nearly as tall as her. why isnt she wearing any lipstick?

then there’s black ink on fingers, water offered in plastic cups. and then a phone call, when i see my mother cry.

i cling to her waist, watch her twirl the cord around and around her finger. i feel her convulse against the plastic booth, with words scratched into it – love hearts and names, dates and swear words. i can see children playing outside one door, throwing a ball around, and washing hanging on wires behind them. mum is holding onto to the phone, she had put a tissue on the handle, and now she takes it off and uses it to blow her nose. she looks up occasionally, when a person walks past. she’s speaking to my step-dad, repeating words – ‘i dont know, i dont know, i dont know’.

this is the moment when the world i knew took on a different colour. a light was turned on, like a long row of white fluorescent tubes, flickering with an electric hum. i think this was when i went from 10, to 20.

i feel hate rising up my neck, thick, thick.

i do not speak.

Tomorrow, a wife.

This is the key to it.
This is the key to everything.

Two last names, one lifetime.
Tomorrow I get another, and its by choice this time.
And the key to that is this:

Here i am thinking of all the loves
the wistful sighs, the mates of souls.
Only later did it become something real.

It is not a choice to love or be loved.
All of that happens by nature like the gust of wind,
a cough, a flower leaning towards the sun.

But it’s to love and be loved by choice
that make us humans. I chose you
and you chose me, and that is the simple

key to this.
Our acceptance to love and hold no one else

No one else, but each other.